A sharp exchange has erupted between renowned Punjabi screenwriter Rakesh Dhawan and Pakistani comedian Iftikhar Thakur — both key contributors to the hit film franchise Chal Mera Putt. The war of words began after Thakur, in a recent interview, claimed that much of Punjabi cinema’s box-office success is owed to the talent and contribution of Pakistani artists.
Iftikhar Thakur sparks the fire
In the interview, Thakur suggested that Pakistani comedians are the true backbone of Punjabi films, especially when it comes to writing jokes and sharpening dialogues. “We’re the reason these films work,” he said, implying that without Pakistan’s performers, the genre wouldn’t thrive the way it does.
Rakesh Dhawan hits back
Dhawan, who wrote all three Chal Mera Putt films and is also known for Chhori Haryana Aali, didn’t hold back. In a strongly-worded Instagram video, he addressed Thakur directly: “Apni aukaat mein raho Thakur”. You can’t run your own household — how do you expect to run the Punjabi film industry?”
He reminded Thakur that prior to Chal Mera Putt, he was mostly known for his work in local TV shows and adult comedy sketches. “It was this film that gave you a new identity — a global one,” said Dhawan, adding that Thakur should be grateful for the platform the Indo-Pak film gave him.
The bigger picture
Rakesh Dhawan is considered one of the pillars of modern Punjabi cinema. With writing credits on nearly 20 films, his work stands out for its emotional depth and humour. The Chal Mera Putt series, in particular, has won praise for its cross-border casting — three lead actors each from India and Pakistan — and for offering a rare glimpse into the shared lives of Punjabis on both sides.
Iftikhar Thakur, meanwhile, has carved a niche as a beloved comedian in Pakistan. His popularity in India soared after his appearance in Chal Mera Putt, which has a large diaspora following. His claims, however, have now opened up a tricky conversation.
The debate over credit
While Thakur’s statement may have been aimed at highlighting the talent of his fellow Pakistani artists, many in the Indian film community saw it as an attempt to undermine the contributions of Indian filmmakers and writers.
Dhawan’s viral response included the jab: “Our film made you big enough to now sit in a studio and give interviews.”
Why it matters
At its heart, this spat reflects the challenges of collaborative filmmaking in politically tense environments. Though Chal Mera Putt was lauded for bridging borders, this controversy has laid bare the tensions that can lurk beneath such partnerships — particularly when it comes to recognition and ego.
What lies ahead?
With Chal Mera Putt 4 slated for release later this year, fans are now curious whether this controversy will affect casting decisions or public perception. Will the franchise continue its cross-border format, or will creative differences overshadow the unity it once symbolized?
For now, Rakesh Dhawan’s response has rallied support in India, while Thakur’s words have sparked both praise and criticism in Pakistan. The hope, for many fans, is that the controversy doesn’t take away from what the films have always managed to do: bring people closer, laugh louder, and tell stories that go beyond borders.