After Sanjay Raut lashes out at Akshay Kumar for his silence, wife Twinkle Khanna comes in support of Rhea Chakraborty

Twinkle in her column wrote, "They took a young woman and cut her in half. They sliced through her T-shirt, one that stated ‘Roses are red, violets are blue, let’s smash the patriarchy, me and you’.

Sanjay-Raut Akshay-Kumar Twinkle-Khanna

Shiv Sena Rajya Sabha MP Sanjay Raut in his column ‘Rokhthok’ in mouthpiece Saamana slammed Bollywood actor Akshay Kumar questioned why different Bollywood actors who’ve earned identity and fame in Mumbai are silent. “Is Mumbai just for being profitable?” Raut requested mincing no phrases. Questioning the silence of the Bollywood fraternity, Sanjay Raut compares Bollywood with the Pandavas who maintained silence whereas Draupadi was disrobed.

Now, Akshay Kumar's wife Twinkle Khanna has broken her silence on the recent controversy of Sushant Singh Rajput and Rhea Chakraborty. Twinkle Khanna slammed the media trial going on against Rhea Chakraborty in Sushant Singh Rajput's case. 

Twinkle narrated the five parts of a magical act, drawing references to the Sushan’s death case, without ever naming any of the parties. She described the ‘production’ of a ‘corpse that appears on your television screens’, the ‘vanishing’ of ‘facts which can be made to fade away when they don’t suit our anchors’, the ‘metamorphosis’ of ‘a suicide into a murder, and a girlfriend into a gold-digger’, the ‘transposition’ as all other matters of national importance take a back seat for ‘a drug cartel hinging on 59 grams of cannabis’, and finally, ‘levitation’ by ‘making an entire political party rise in the eyes of its prospective voters.’

Also Read: "Is Mumbai Important only for Money?": Sanjay Raut attacks Akshay Kumar on Kangana episode

Twinkle in her column wrote, "They took a young woman and cut her in half. They sliced through her T-shirt, one that stated ‘Roses are red, violets are blue, let’s smash the patriarchy, me and you’, the blade going into her flesh, her very life draining away before a live audience of millions. What do these magicians tell themselves when the camera is switched off I wonder? Do they justify it as mere collateral damage — one life in exchange for entertaining and distracting 1.3 billion for months


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